Classical-Doo-Wop
(1955-59)
     
   
Nonsense Syllables


more complex patterns in
almost every song

   
   
Harmony Part


given even more voice

   
    Bass


frequently introduces song,
almost always separate
from harmony, by
puctuaing or riffing

   
    Beat


beat heavy and distinct (on
2nd & 4th beats), allied
with rock 'n' roll

   
    Instrumentation


instruments unimportant
except during break in the
middle of song

   
    Melody


single melodies & four-
chord structures common

   
    Lyrics


almost exclusively innocent
love, almost no politicizing
or social commentary

   
    Falsetto


almost always present,
frequently leads, almost
always used as a
tail-off