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Classical-Doo-Wop
(1955-59) |
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Nonsense Syllables |
more complex patterns in
almost every song
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Harmony Part |
given even more voice
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Bass |
frequently introduces song,
almost always separate
from harmony, by
puctuaing or riffing
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Beat |
beat heavy and distinct (on
2nd & 4th beats), allied
with rock 'n' roll
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Instrumentation |
instruments unimportant
except during break in the
middle of song
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Melody |
single melodies & four-
chord structures common
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Lyrics |
almost exclusively innocent
love, almost no politicizing
or social commentary
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Falsetto |
almost always present,
frequently leads, almost
always used as a
tail-off
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