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        Classical-Doo-Wop 
        (1955-59) | 
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        Nonsense Syllables | 
         
        more complex patterns in 
        almost every song 
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        Harmony Part | 
         
        given even more voice 
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        Bass | 
         
        frequently introduces song, 
        almost always separate 
        from harmony, by  
        puctuaing or riffing 
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        Beat | 
         
        beat heavy and distinct (on 
        2nd & 4th beats), allied 
        with rock 'n' roll 
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        Instrumentation | 
         
        instruments unimportant 
        except during break in the 
        middle of song 
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        Melody | 
         
        single melodies & four- 
        chord structures common 
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        Lyrics | 
         
        almost exclusively innocent 
        love, almost no politicizing 
        or social commentary 
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        Falsetto | 
         
        almost always present, 
        frequently leads, almost 
        always used as a 
        tail-off 
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