Cookies
( left to right) Dorothy Jones, Earl-Jean McCrea,
Margaret Ross 1962
The forerunner of Ray Charles' Raelettes, the original Cookies
were Margie Hendrix, Ethel "Earl-Jean" McCrea and Pat
Lyles
Members: (1954-1956) Dorothy Jones - 1st soprano Beulah Robertson - 2nd soprano/lead Ethel (Darlene) McCrea - alto/baritone/bass |
(1956-1959) Dorothy Jones Darlene McCrea - alto/baritone/bass Marge Hendrix - 2nd soprano/lead |
1960-1965) Dorothy Jones - lead/soprano Margaret Ross - lead/soprano Earl-Jean McCrea - lead/alto |
(1966-67) Margaret Ross Dorothy Jones Darlene McCrea |
1954 Cookies
(L-R) Beulah Robertson, Darlene McCrea, Dorothy Jones.
Dorothy Jones, the founding member of the trio, was born in South Carolina, but as a child moved to Brooklyn. At seven she joined the choir of the First Baptist Church in Coney Island. She continued singing, drifted into backup session work, and later brought Brooklyn friends Earl-Jean McCrea and Margaret Ross into the business. McCrea born in North Carolina, moved at the age two to Brooklyn, finished high school and was working as an IBM operator when Jones brought her into the record business. They Recorded for Lamp Records in 1954. Together they became the Cookies making their debut at The Apollo Theatre on Amatuer Night, winning the contest. There they were spotted by an Jesse Stone of Atlantic Records, who brought them to the label for vocal sessions in 1955.
The Raelettes 1960
(L-R) Pat Lyles, Margerie Hendrix, Gwen Berry, Darlene McCrea.
They recorded three sessions under the Cookie name and had a Top Ten R&B hit with "In Paradise" in 1956. There, they did back-ups for many singers on the Atlantic roster, including LaVern Baker, Ruth Brown and Ray Charles. They also backed Joe Turner and Chuck Willis on their hit recordings in 1956 before becoming Ray Charles' Raelettes. When Margie Hendrix decided to go with Ray Charles full-time as a vocalist, she was replaced in the Cookies by Margaret Ross.
It was during their time at Atlantic that Neil Sedaka found them, used them on some of his early RCA hits, and later recommended them to Carole King for backup work on Tony Orlando's recordings. While working on one of Orlando's sessions, Don Kirshner heard them improvising around the piano and asked them to record for Aldon.
1962 (clockwise from top) Earl-Jean McCrea, Margaret Ross,
Dorothy Jones
Almost six years later, a new trio emerged as the Cookies on Dimension, with only McCrea from the first group in its lineup. They became staples on most Aldon sponsored sessions, doing backup vocals for Neil Sedaka, little Eva, and Carol King, while having two Top Ten R&B, and one Top Twenty pop hit in 1962 ("Chains") and 1963. "Don't Say Nothing Bad (About My Baby)' was their biggest, reaching number three R&B (number seven pop) in 1963. "Girls Grow Up Faster Than Boys" was their last chart hit reaching a respectable number thirty-three in November 1963 as the British Invasion brought their success to an end.
At Atlantic Studios 1955
(L-R) Darlene McCrea, Beaulah Robertson, Dorothy Jones
Soon there after McCrea left the Cookies to pursue a solo career. Her first single on the Colpix label was a Goffin/King composition "I'm Into Something Good" that reached #38. Herman Hermits would cover "I'm Into Something Good" only four months later and take it to the top of the charts.
One of the impressive things about the Cookies
was that each girl was a potential lead singer, and in
combination, their voices blended beautifully. Often on the
Dimension records, the vocals would be shared by all three girls,
sometimes underpinned by a trademark interjection from Earl-Jean,
e.g "so girl you better shut your mouth",
"thirty-six; twenty-one; thirty-fiiiiive" (name those
tunes!) Sometimes however, one particular girl would get a lead
to herself. Dorothy, for example was practically solo on
"Stranger In My Arms", the flip of "Chains" -
it was very similar to her Columbia 45, and could well have been
done at the same session. Margaret was the main voice on
"Softly In The Night" - she also got the lead on
"Only To Other People" and what is for many the
ultimate Cookies track, "I Never Dreamed". (The Sequel
"Complete Cookies" compilation incorrectly credits
Dorothy as lead on these tracks) Earl-Jean of course did her own
thing on Colpix, but always remained a Cookie. If you want to
hear and compare each girl individually, look no further than
their original version of "On Broadway", where each
girl takes one line at a time in the verses - first Earl-Jean,
then Dorothy, then Margaret. Towards the end of their stay at
Dimension, it seemed that Margaret was increasingly the preferred
vocalist. Margaret had an identifiable trademark sob in her voice
that added a sincerity to any song she graced. Witness the
impressive list of girl-group classics that she led:- "I
Never Dreamed", "Please Don't Wake Me", "Baby
Baby I Still Love You", "Make The Night A Little
Longer", "One Wonderful Night". Margaret Ross is
surely one of the unheralded greats, and yet she was probably the
least recognized of the trio, her name never having appeared solo
on a label.
In late 1966 the Cookies signed with Warner Brothers. In April
1967 they released their last record. And as they say that's how
the Cookies crumbled.
The below is current as of 2013.
Margaret and her husband, Ronnie Williams settled in Coney
Island, New York where she remained active in her church and
raised their two sons. Margaret worked for the New York City of
Health and Services until her retirement in 1998. Dorothy
and her family moved to Columbus, Ohio in 1970, where she and her
husband, Bill Johnson, raised their 12 chlidren. Earl-Jean moved
to Raleigh, North Carolina.
1997 (L-R) Darlene McCrea, Dorothy Jones, Margaret Ross,
Earl-Jean McCrea
Margie Hendrix died of a drug overdose July
14, 1973 at the age of 38.
Dorothy Jones died from complications of Alzheimer's Christmas
day 25, 2010 at the age of 76.
Darlene McCrea died from cancer February 4, 2013 at the age
of 76.
Beaulah Robertson died of cancer February 4, 2013.