AMERICAN
PIE by Don McLean

Crash
News Flash
American
Pie
The lyrics to the song are left justified with
comments indented. I have attempted
to note where the interpretation is questionable (in red) so feel free to drop me a line if you
have any answers..
Was
American Pie name of the plane in which Buddy Holly died?
The entire song is a tribute to Buddy Holly and a commentary
on how rock and roll changed in the years since his death. McLean
seems to be lamenting the lack of "danceable" music in
rock and roll and (in part) attributing that lack to the absence
of Buddy Holly et. al.
A long, long time ago...
- "American Pie" reached #1
in the US in 1972, but the album containing it was not
released until later. Buddy Holly died in 1959.
I can still remember how That music used to make me smile. And
I knew if I had my chance, That I could make those people dance,
And maybe they'd be happy for a while.
- One of early rock and roll's
functions was to provide dance music for various social
events. McLean recalls his desire to become a musician
playing that sort of music.
But February made me shiver,
- Buddy Holly died on February 3,
1959, in a plane crash in Iowa during a snowstorm.
With every paper I'd deliver,
- Don McLean's only job besides being
a full-time singer-songwriter was being a paperboy.
Bad news on the doorstep... I couldn't take one more step. I
can't remember if I cried When I read about his widowed bride
- Holly's recent bride was pregnant
when the crash took place; she had a miscarriage shortly
afterward.
But something touched me deep inside, The day the music died.
- The same plane crash that killed
Buddy Holly also took the lives of Richie Valens
("La Bamba") and The Big Bopper
("Chantilly Lace.") Since all three were so
prominent at the time, February 3, 1959, became known as
"The Day The Music Died."
So...
(Refrain) Bye bye Miss American Pie,
- **Don McLean dated a Miss America
candidate during a pageant and broke up with her on
February 3, 1959. (Unconfirmed
interpretation)
I drove my Chevy to the levee but the levee was dry, Them good
ol' boys were drinkin' whiskey and rye Singing "This'll be
the day that I die, This'll be the day that I die."
- Driving the Chevy to the levee
almost certainly refers to the three college students
whose murder was the subject of the film 'Mississippi
Burning.' The students were attempting to register as
black voters, and after being killed by bigoted thugs
their bodies were buried in a levee. Them good ol' boys
being: Holly, Valens, and the Big Bopper, They were
singing about their death on February 3. One of Holly's
hits was "That'll be the Day"; the chorus
contains the line "That'll be the day that I
die."
(Verse 2) Did you write the book of love,
- "The Book of Love" by the
Monotones; hit in 1958. "Oh I wonder, wonder who...
who, who wrote the book of love?"
And do you have faith in God above, If the Bible tells you so?
Now do you believe in rock 'n roll?
- The Lovin' Spoonful had a hit in
1965 with John Sebastian's "Do you Believe in
Magic?". The song has the lines: "Do you
believe in magic" and "It's like trying to tell
a stranger 'bout rock and roll."
Can music save your mortal soul? And can you teach me how to
dance real slow?
Well I know that you're in love with him 'Cause I saw you
dancing in the gym
- Back then, dancing was an
expression of love, and carried a connotation of
commitment. Dance partners were not so readily exchanged
as they would be later.
You both kicked off your shoes
- A reference to the beloved
"sock hop." (Street shoes tear up wooden
basketball floors, so dancers had to take off their
shoes.)
Man, I dig those rhythm 'n' blues
- Before the popularity of rock and
roll, music, like much elsewhere in the U. S., was highly
segregated. The popular music of black performers for
largely black audiences was called, first "race
music," later softened to rhythm and blues. In the
early 50s, as they were exposed to it through radio
personalities such as Allan Freed, white teenagers began
listening, too. Starting around 1954, a number of songs
from the rhythm and blues charts began appearing on the
overall popular charts as well, but usually in cover
versions by established white artists, (e.g. "Shake
Rattle and Roll," Joe Turner, covered by Bill Haley;
"Sh-Boom," the Chords, covered by the
Crew-Cuts; "Sincerely," the Moonglows, covered
by the McGuire Sisters; Tweedle Dee, LaVerne Baker,
covered by Georgia Gibbs). By 1955, some of the rhythm
and blues artists, like Fats Domino and Little Richard
were able to get records on the overall pop charts. In
1956 Sun records added elements of country and western to
produce the kind of rock and roll tradition that produced
Buddy Holly.
I was a lonely teenage broncin' buck With a pink carnation and a pickup truck
- "A White Sport Coat (And a
Pink Carnation)," was a hit for Marty Robbins in
1957. The pickup truck has endured as a symbol of sexual
independence and potency, especially in a Texas context.
(Also, Jimmy Buffet does a song about "a white sport
coat and a pink crustacean." :-) )
But I knew that I was out of luck The day the music died I
started singing...
Refrain
(Verse 3) Now for ten years we've been on our own
- McLean was writing this song in the
late 60's, about ten years after the crash.
And moss grows fat on a rolling stone
- It's unclear who the "rolling
stone" is supposed to be. It could be Dylan, since
"Like a Rolling Stone" (1965) was his first
major hit; and since he was busy writing songs extolling
the virtues of simple love, family and contentment while
staying at home (he didn't tour from '66 to '74) and
raking in the royalties. This was quite a change from the
earlier, angrier Dylan.
The
"rolling stone" could also be Elvis, although I
don't think he started to pork out by the late sixties. he-he!
It could refer to rock and
rollers, and the changes that had taken place in the
business in the 60's, especially the huge amounts of cash
some of them were beginning to make, and the relative
stagnation that entered the music at the same time.
Or, it could refer to the
Rolling Stones themselves, many musicians were angry at
the Stones for "selling out." I discovered that
John Foxx of Ultravox was sufficiently miffed to write a
song titled "Life At Rainbow's End (For All The Tax
Exiles On Main Street)." The Stones at one point
became citizens of some other country merely to save
taxes.
But that's not how it used to be When the jester sang for the
King and Queen
- The jester is Bob Dylan, as will
become clear later. There are several interpretations of
king and queen: some think that Elvis Presley is the
king, which seems rather obvious. The queen is said to be
either Connie Francis or Little Richard. See the next
note.
An alternate
interpretation is that this refers to the Kennedys -- the
King and Queen of "Camelot" -- who were present
at a Washington DC civil rights rally featuring Martin
Luther King. (There's a recording of Dylan performing at
this rally. The Jester.)
The third interpretation is that
the jester could be Lee Harvey Oswald who sang (shouted)
before he was shot for the murder of the King (JFK).
In a coat he borrowed from James
Dean
And a voice that came from you and me
- Bob Dylan's roots are in American
folk music, with people like Pete Seeger and Woody
Guthrie. Folk music is by definition the music of the
masses, hence the "...came from you and me."
Oh, and while the King was looking down The jester stole his
thorny crown
- This could be a reference to
Elvis's decline and Dylan's ascendance. (I.e., Presley is
looking down from a height as Dylan takes his place.) The
thorny crown might be a reference to the price of fame.
Dylan has said that he wanted to be as famous as Elvis,
one of his early idols.
or...
- Lee Harvey Oswald being the jester
who ended the reign of JFK and "stole his
crown."
The courtroom was adjourned, No verdict was returned.
- This could be the trial of the
Chicago Seven.
but its more likely to
be...
- The fact that no verdict was
returned for the assassination of JFK because the
assassin was killed so the court was adjourned.
